Thursday, October 28, 2010

Tela Cheia No Pcdj Red

drawings ... # 2

the tenth day of October wheelbarrows are back in L'Aquila ...
Angela Maria Russo
no parking sign on it says:
"to work" from .... to ...
... there is neither the beginning and not even end of course!

Monday, October 11, 2010
Simo Capecchi
Yesterday in the red zone to draw I think we were at least 50, most photographers and several companions. It 's the first time that such a large group of artists will gather for a collective report, Trieste, Bologna, Latina, Rome, Lanciano. From Naples we were Caroline Peyron, Ferruccio Orioli, Enrico Rebeggiani my husband and I, in Abruzzo of Chieti. We met Antonio Di Giandomenico, prof. Antonio Gasbarrini and other citizens active in the Assembly Aquila town that others had already met in previous visits. What we have seen and heard is something hard to tell.
Naively, I did not expect to find such open wound, as well as in people in their homes. The red zone includes almost the entire city center and is militarized, with trucks at each passage. Everything is propped. There are very few active sites. The city is awaiting final collapse and not too slowly.
Mentre disegno in piazza Santa Giusta arriva una signora con i genitori anziani e protesta che vuole vedere la sua casa. I vigili del fuoco che ci stanno scortando divisi in tre gruppidi circa venti persone, la fanno entrare e noi le prestiamo i caschetti. Quando tornano il padre è in lacrime. "Ho quattro case e non posso entrare in nessuna. Loro ci entrano invece, eccome: le hanno appena messe in sicurezza, hanno sfondato i tramezzi col piccone per far passare i tiranti, mi hanno fatto a pezzi tutto quello che era rimasto, i mobili..."
A via Sturzo, fuori della zona rossa, la fila of reinforced concrete buildings has reacted almost worse than those in masonry infill walls on the ground floor exploded chasing out all the contents of houses. Fragments found in a pile of sheet music and musical instruments.
Ferruccio Orioli this design is in four parts. Venetian-born architect, has seen several near earthquakes from Friuli, in Belize, Irpinia. "But this earthquake is the first Italian to have no special law providing for the reconstruction. A whole city has been sentenced to death. I can not stand to watch more, I get the watercolor the coffee." We were wrong, everyone. I do not know if it was more the sense of helplessness or anger.

In 1703, Gasbarrini tells us, the city was destroyed by a violent earthquake and an enlightened Marchese della Rocca Marco Garofalo, the "Bertolaso" at the time, forced the people to rebuild homes and assisting them withholding taxes for quite some time. Since January the citizens instead of Aquila will pay the normal rate, including arrears.


The weight of the situation ...
artman
A "Telamon" caught my attention, the diagonal of a scaffold strangely coincides with the blue hands of the character ... is found to hold or to better support the weight of its load delivered to them by fate ... (Especially the rose window of the church of St. Just Bazzano).

Tuesday, October 26, 2010

How Lauren Does Her Weave

County Avador

Avador County, Land of Faery
a magical, magical and frightening, where each
Desire is feasible and every nightmare is real .....
figment of my imagination that the county map is drawn in ink and colored with watercolor pencils on a book. (Tree and Leaf by JRR Tolkien)


Monday, October 11, 2010

Ice Skating In Poconos

Hunt Giant Fanorona

two games are made from small wooden boards pyrography. Del
first talked about that a few posts ago: the classic game of balance, three against one, and so on.
Fanorona The second game is called and is the national game of Madagascar, a traditional game very common in that island.
In this realization the board is a wooden cutting board, drilled to house the pieces and decorated in pyrography.
The pieces are made of tees, which are small holders where there is the golf ball for the shot.

Sunday, October 3, 2010

Good Names For Financial Services Companies

a wheelbarrow designs ...



I have declared my love for travel notebooks two years ago (in this post journals-1000-project )

I consider it still a way to live and travel.

also represents a different way of seeing and telling, to get in touch with reality and experience it.

A wheelbarrow designs is a blog that tells the initiative of a group of Urban Sketchers that came together as the well-known people wheelbarrows , L'Aquila to recover.


Them designers in wheelbarrow , describes this way:
. .. no one had yet told The Eagle and the earthquake with pencil and notebook, turning the streets and life drawing.
The idea is this and is simple in the end: to collect images of the artists who cross the streets, squares, new suburbs of the city quiet, but not yet reduced to silence, to tell the places common and uncommon of the earthquake.
recounted the horror and vulgarity of the earthquake, perhaps the beauty of the city intact, the desire to rebuild and to react very, errors and squalor which so far has given reconstruction .. . put on paper L'Aquila is not just that heaven on earth where people talk about, that of "mission accomplished" superarredate full of homes, schools, happy people who had everything and chevoletedipiùadesso ... ingrates!
To do this is to take a notebook, a pencil, a box of watercolors and walk, look and "reduce" everything to the two dimensions of the paper.
Who is us?


Come il ragno…

Fabio Ascenzi
Percorro le linee di questa struttura e in sequenza seguo la fine che fa una preda fall in the net. I guess the clever feet that weave unbreakable threads for the grand finale. Tragic frames to rewind to the happy ending.


Small comfort # 1

slippers
Carlo Castellani

July 25 - With Marco Federico and I stop to draw in piazza S. Marciano, in a silence so dense to float in, ruffled only by the rustling of a pigeon or some mice.
The facade of the collegiate church of the fourteenth century is split in two from top to bottom, bound by the ubiquitous belts gialle; ad essa è stato addossato un grande cumulo delle più varie cose: calcinacci, mobili, cartoni, damigiane, attrezzi da cucina, strutture metalliche, buste di plastica...
Da una parte ci sono anche alcune paia di pantofole, a ricordare le piccole comodità domestiche spazzate via dal terremoto e ora più difficili da godere e recuperare, il diritto sacrosanto a starsene nella propria casa, la sera, in pace e in pantofole.

Piccole comodità #2

sedia a sdraio
Carlo Castellani

Altri resti di piccole comodità domestiche emergono dal cumulo di oggetti in piazza S. Marciano.
I colori gai ma un po'sbiaditi di una sedia a sdraio coronano un mucchio di cassetti, componenti di mobili e una pentola a pressione ancora lustra e brillante.
Ci sono parecchi attrezzi da cucina, per esempio una macchina per la pasta nuova nuova; che vengano dal ristorante che si affacciava sulla piazza?
Mentre disegniamo arriva una famiglia, sono i proprietari del ristorante e cercano qualche loro mobile ancora utilizzabile.
Sembra quasi che il terremoto ci sia stato l'altro ieri e non più di un anno fa...


Ci si riappropria di un territorio percorrendolo a piedi.
Non lo si può fare in nessun altro modo.
La Terra si strappa alla propria indifference step by step, inch by inch tapping, immersed in silence and shrouded in the dust.
The notebooks come in L'Aquila silently not to remain silent.
just a few stretches to return the surreal atmosphere that you breathe and to reveal something ...
For example, the "containment bands" that surround buildings and monuments (to prevent it? The dissolution? Evaporation?) I I'd never noticed.
Now look at them - for the first time - frozen.



PALMAR
La Chiesa delle Anime Sante prigioniera delle fasce di contenimento sotto stretta vigilanza di un'auto dei VV.FF.



Elisabetta Mitrovic

Le cinghie che contengono le colonne, le torri, le chiese sono tutte gialle ed evidenti... quando torni a casa ti rimane negli occhi questa immagine. Quando torni a casa... pensi a chi non l'ha più, pensi a chi l'ha, but surrounded and supported by these belts.


NB Back to L'Aquila October 10, 2010 , then shoot notebooks and helmets Come and witness with us.
We draw what we see and that's it, people, life, the city, what happened should not happen and what should happen and it did not happen ...
COME!